Timothy Shay writes and lives in Vancouver, BC. His work has appeared in many Canadian literary magazines, on CBC Radio and in the ROLLING STONE. He has one book, THIS CABIN AS THE SS TITANIC, and several chapbooks, and his collection THE DIRTY KNEES OF PRAYER is forthcoming from Caitlin Press in 2016.
Binding | EAN | ISBN-10 | Pub Date | PAGES | Language | Size | Price |
---|---|---|---|---|---|---|---|
Paperback | 9781987915082 | 1987915089 | 2016-10-24 | 96 | 0.00 x 5.50 x 8.00 in | $18.00 |
Through poems that celebrate the overlooked beauty in the everyday or that mourn human incursions upon the natural world, Fiona Tinwei Lam weaves polythematic threads into a shimmering tapestry that reveals the complexities of being human in an environment under threat...
read moreFrancine Cunningham lives with constant reminders that she doesn’t fit the desired expectations of the world: she is a white-passing, city-raised Indigenous woman with mental illness, who has lost her mother. In her debut poetry collection On/Me, Cunningham explores, with keen attention and poise, what it means to be forced to exist within the margins...
read moreIce melt; sea level rise; catastrophic weather; flooding; drought; fire; infestation; species extinction and adaptation; water shortage and contamination; intensified social inequity, migration and cultural collapse. These are but some of the changes that are not only predicted for climate changing futures, but already part of our lives in Canada...
read moreIn her first full-length collection, award-winning poet Ruth Daniell offers work that is both earnest and hopeful, even in the face of trauma. In formally exquisite and lyrical poems, The Brightest Thing tells the story of a young woman who is raped by her first boyfriend and her struggle afterwards to navigate her fairy-tale expectations of romantic love...
read moreChenille or Silk is a startling first collection of confessional poetry examining the slippery relations of desire, class, embodiment and trauma. Emma McKenna’s writing traverses the bounds and the wounds of a family marked by poverty and intergenerational trauma...
read moreHow She Read is a collection of genre-blurring poems about the representation of Black women, their hearts, minds and bodies, across the Canadian cultural imagination...
read moreMarion Quednau’s collection Paradise, Later Years plays with the language of juxtaposition, nothing is straight on; if there’s quiet beauty by the sea, there’s a passing warship. Quednau’s lyricism, whether of river or lover, bears witness to relationships transformed by the tension—and surprise—of setting one thing against another...
read moreWhat strange gravity draws two people together? What pulls them apart? In The Small Way, a woman re-evaluates herself and her marriage as she comes to terms with a spouse’s transition. Intimate and powerful, the poems celebrate the courage of a partner coming out as a trans woman and records the confusion in facing a partner's changing gender identity...
read moreGrowing up during the 50s and 60s in small town Alberta, Pam was keenly aware, by the age of nine, that she was a lesbian. And she also knew well to hide this about herself. Pam would search for books on the "The Island of Lesbos", only to return from the library with a copy of Little Women...
read moreUsually, we take for granted or plain ignore the Earth we walk on, the Sky above, the Water we drink and bathe in or that falls as rain, the Fire we assume for heat, and the Wood that makes up our landscape and building materials. But over fifteen years as a construction carpenter, Kate Braid began to pay more attention to the materials she worked with and depended upon...
read moreIn All Violet, a young woman chronicles the experience of living on the margins, in spaces and places where body and mind are flayed by guilt, disappointments and betrayals...
read moreOn the 120th anniversary of Amelia Earhart’s birth and the 80th anniversary of her disappearance, award-winning poet, Heidi Greco revitalizes what we know about the iconic aviator through uplifting and historically mesmerizing verse...
read moreNew poetry written by prize-winning BC poets, musicians, and artists, anthologized by Victoria's city poet-laureate. While in the world of politics there are still climate change deniers, the poets watch the warming seas, the dying birds slicked in oil, the whales, the jellies, the sea otters and the octopus. They stand, as close to the shore as possible, watch the slow turning tide...
read moreJane Byers’ Acquired Community is both a collection of narrative poems about seminal moments in North American lesbian and gay history, mostly post-World War II, and a series of first person poems that act as a touchstone to compare the narrator’s coming out experience within the larger context of the gay liberation movement...
read moreKara-lee MacDonald is a survivor. The poems in Eating Matters are sophisticated explorations of anorexia and bulimia, from within and in retrospect, as the semiautobiographical narrator faces and overcomes her complex drives and compulsions...
read moreIn this twenty-year retrospective of Barbara Munk's work, she pays close attention to the world around her: the man who rustles through garbage cans and dumpsters for his food, the undertaker who wants his ashes spread outside the Elks hall, a robin outside the window. And she invites the reader to look at the world in new ways...
read moreThere is an epidemic of violence against women in Canada and the world. For many women physical and sexual assault, or the threat of such violence, is a daily reality. Walk Myself Home is an anthology of poetry, fiction, nonfiction and oral interviews on the subject of violence against women including contributions by Kate Braid, Yasuko Thanh and Susan Musgrave...
read moreIn this late-modern period of slackened meaning, G.P. Lainsbury's Versions of North attempts to locate poetic consciousness in the drifting concept of north, using avantgarde techniques to reveal connections between disparate elements of signification...
read moreMemorials and the yearning to re-create the past permeate Valley Sutra, award-winning poet Kuldip Gill's new collection...
read moreAmbulance lights flash as a baby is born on a busy city street, pine beetles paint forests a palette of new colours, a young boy faces a watery death under the ice of a frozen lake, and a mother stands in a bathtub at midnight wearing only her gumboots...
read moreUnderstories explores the meeting of the natural, suburban and inner-city experiences of Prince George. These poems look beneath the daily observations of a place jostled between stripmalls and pubs, the university and the mill, and a landscape that presses in at every corner, revealing a sometimes gritty underside...
read moreEmily Carr recorded the experience of the West Coast soul in her living landscapes and her portraits of BC's towering firs. Kate Braid, in To This Cedar Fountain, engages Carr in conversation as only a kindred spirit could: a West Coaster, an artist, a woman with an affinity for timber. In these poems Carr's sensual paintings envelop Braid; Emily romances the trees while Kate bears...
read moreThe reflective poems in Threadbare Like Lace comment on the world as Jacqueline Baldwin has experienced it. She is an expatriate New Zealander who has lived and worked in such far-flung places as Montreal and the remote Robson Valley in the Canadian Rockies. Her poems are a mediation between the private and public worlds and are reminiscent of many of the Black Mountain poets...
read moreHow do we navigate a world of fast-food joints, big-box stores and traffic jams, where people grandstand in the deli and homeless men announce the end of the world through “slats in the sky”? Where the cumulative result of our lifestyle is a gyre of garbage and plastic in the North Pacific? Al Rempel’s This Isn’t the Apocalypse We Hoped For addresses this concern with humility and...
read moreWe need no longer hide
behind concepts of alienation
or the language of clever linguistics
while the poor are dying
we need the silence
of our horses...
The poems in THE DIRTY KNEES OF PRAYER are hot and dark as night rain. The new Honeywell fan blows whips of simmered air against Shay's glistening back. He suspects a dystopian future and apparently it has arrived. These poems shrug at death. A tide of smoke rises and hovers over the city. Shay's picture is taken for his collection of grief and apocalyptic love...
read moreThese poems span fifteen years of life in the northern industrial output of Prince George, BC. They portray family, friendship, sex, death, health, work, love and human hope as subjects of a harsh social, economic, and bureaucratic system that is itself trapped in its own contradictions and ironies...
read moreThe poems in AVERAGE HEIGHT OF FLIGHT are founded in the landscape of coastal BC, built on the losses within the narrator's life in counterpoint to her walks in the natural world. In forests with her dog, along watersheds and hill climbs, Beth Kope goes off trail to find inspiration and time for meditation...
read moreWhy do some of us learn to bend? Others break? How do we move from shame to being "enough"? How do we bounce back stronger after adversity and then embrace our own humanity with its flawed beauty? In her first full collection of poetry, Jane Byers explores her personal experience with resilience, beginning with her own difficult birth, which she describes as "inoculation against despair...
read more2008 Winner of the ReLit Award for Poetry
Shortlisted for the Dorothy Livesay Poetry Prize
"What a wonderful, fresh voice Gillian Wigmore brings to the page. These wise poems know the push and pull within family. They reveal the tender truths behind the rough edges of small-town life...
An elegy to and celebration of British Columbia's second-longest river, one at the centre of contemporary conversations about resource extraction and northern geographies, SKEENA is an assemblage of voices, stories and histories both about the river and from the river's perspective...
read moreKim Clark believes that before multiple sclerosis began its insidious infiltration, there was no writing in her. That somehow the damaging changes that shut down certain functions in her brain also opened up other unused areas that housed a secret love affair with language and all its possibilities, its delicious sights and sounds and intimations...
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