Carrie Etter lived her first nineteen years in Normal, Illinois, before taking a one-way train to Los Angeles. While living in southern California, she founded and edited Out Loud: The Monthly of Los Angeles Area Poetry Events and pursued her BA in English at UCLA and MFA in creative writing and MA and PhD in English at the University of California, Irvine. She moved to England in 2001 and began teaching in 2004 at Bath Spa University, where she is a Reader in Creative Writing. She has published three previous collections of poems: The Tethers (Seren, 2009), winner of the London New Poetry Prize for the best first collection published in the UK and Ireland in the preceding year; Divining for Starters (Shearsman, 2011); and Imagined Sons (Seren, 2014), shortlisted for the Ted Hughes Award for New Work in Poetry by The Poetry Society. She also edited Infinite Difference: Other Poetries by UK Women Poets (Shearsman, 2010) and Linda Lamus’s posthumous collection, A Crater the Size of Calcutta (Mulfran, 2015).
Binding | EAN | ISBN-10 | Pub Date | PAGES | Language | Size | Price |
---|---|---|---|---|---|---|---|
Paperback | 9781581771749 | 1581771746 | 2018-10-15 | 76 | 0.00 x 6.30 x 8.80 in | $12.00 |
Hotel des Archives is a trilogy of books consisting of verse recastings from the French novels of Beckett, Genet and Duras. Synchronous with postmodernism's aesthetics of appropriation, détournement, sampling and other intertextual strategies, the project operates a double shift of genre and language, since she moves from the original French and from prose to lyric...
read moreIn her collection The Weather in Normal, Carrie Etter laments the loss of her hometown of Normal, Illinois through the death of her parents, the sale of the family home, and the effects of climate change on Illinois’ landscape and lives...
read moreIn 2002, while temporarily living in Europe (mostly Amsterdam), the poet Omar Pérez began writing in a notebook. His journey began as a short professional visit that shifted into something less defined after he fell in love. Eventually the notebook became Cubanology, a book of days reflecting on three years of life at a remove from the island: “A memory of a flight, a journey, jour...
read moreIn the World Enormous is a collection of poems engaged in transition, conversation and what falls between. They focus on a period that begins shortly before the death of Tomer Inbar’s mother and ends after the birth of his twin daughters...
read moreHouse Crossing is a book of 32 poems about where we live or, more properly, dwell, with each poem entitled by a different attribute of domestic architecture as it is commonly known: Cupola, eaves, attic, beams, etc...
read moreIn subtitling this book "A Divine Comedy," the poet Marc Vincenz brushes up against Dante, and yet he does so “in the pulse of a breath, /waiting for the rain / to wash away the dream.” There is light here—not perhaps the roseate of the Florentine retinue—but one we can use right now: “All visions / gone, but this, a world, / a world / dancing ahead...
read moreOut of the Question: Selected Poems 1963-2003 gathers together a generous sample of work from Lewis Warsh’s many earlier collections...
read moreClark Coolidge is a revered figure in the world of American and world experimental poetry. This Selected Poems will be how Coolidge's revolutionary early works will be read for generations to come. The volume includes an Introduction by Bill Berkson, who writes: “From the heights each poem appears to take its own peculiar plunge...
read moreSPEAKING ANIMATE: PREVERBS is one of seven preverb complexes comprising the unpublished book Exchanging Intentions, itself one of seven books of preverbs, of which the first to be published was VERBAL PARADISE (Zasterle: 2011). A preverb is like a proverb, a one-line capture of wisdom, but at the raw stage before wisdom...
read more“Words say too much to let you know the truth.’’ George Quasha’s torqued, enigmatic proverbs create unlikely balances among discrepant engagements. The vectors of these marvelous poems work at cross purposes, keeping each other aloft. These are sparkling aphoristic aporias for a new age in an old time. “Poetry,” says Quasha, “resists immortality with difficulty...
read moreNormal0falsefalsefalseEN-USX-NONEX-NONEMicrosoftInternetExplorer4In collaboration with Publication Studio-Hudson, A Fiery Flying Roule: to all the inhabitants of the earth; specially the rich ones reproduces a series of pamphlets distributed during the Oakland Commune (a.k.a...
read moreNormal0falsefalsefalseEN-USX-NONEX-NONEMicrosoftInternetExplorer4Louise Landis Levi’s Crazy Louise(or la Conversazione Sacra) is a deliberate departure—both from the formal construction of her previous works & from her focus on early (medieval) forms of feminine process & liberation ( Sweet on My Lips: the Love Poems of Mira Bai)...
read moreThe vibrant nexus of second-generation New York School poetry is celebrated for its intellectual rigor, wit, startling imagery and lyrical beauty. At the center of that generation of influential New York poets is the work of Tony Towle, Charles North and Paul Violi. Here they are recognized for the poetic power of that work and their personal long commitment to the demanding life-in-poetry...
read moreSCORNED BEAUTY COMES UP FROM BEHIND: PREVERBS is one of seven preverb complexes comprising the unpublished book Exchanging Intentions, itself one of seven books of preverbs, of which the first to be published was VERBAL PARADISE (Zasterle: 2011). A preverb is like a proverb, a one-line capture of wisdom, but at the raw stage before wisdom...
read moreNormal0falsefalsefalseEN-USX-NONEX-NONEMicrosoftInternetExplorer4In|Filtration is an anthology of contemporary Hudson Valley poetry that in one sense or another is innovative. The poets’ work is sometimes formally original and other times innovative in the use of more familiar poetic forms: old bottle/new wine; new bottle/old wine; and, quite often, new bottle/new wine...
read moreIn the aftermath of Technicians of the Sacred (1968) the next step Jerome Rothenberg took toward the construction of an experimental ethnopoetics was an assemblage of traditional works and commentaries thereon focused entirely on one of the world's still surviving and incredibly diverse deep cultures...
read moreNormal0falsefalsefalseEN-USX-NONEX-NONEMicrosoftInternetExplorer4 Bernadette Mayer has been one of the most influential poets of the late 20th century and into the present. Her celebrated and revolutionary first books have long been out of print, available on the secondary market at high costs, by loan or via single-page facsimiles online at Eclipse...
read moreArchipelago is a pilgrimage into the origins of language, a single poem at once descent and flight, where words are wings or gates: organs, entrances, questioned so as to be permitted by hidden meanings into hidden lands...
read morePaul Celan, arguably the mid-20th century's most important German-language poet, is commonly pigeonholed as a poet of the Holocaust-a term, however, he never used. Undoing facile assumptions about Celan, Corona charts a more idiosyncratic and personal path through Celan's large oeuvre, choosing 103 poems from among the more than 900 Celan published...
read moreWhen Thoreau wrote in his Journal in 1841, Good poetry seems so simple and natural a thing that when we meet it we wonder that all men are not always poets, and when Whitman describes Leaves of Grass as a language experiment, they are expressing an approach to poetry that never ceased and has grown continuously during recent decades...
read moreLissa Wolsak, a poet who seemingly emerged fully-formed in the mid-1990s, now offers access to the realized body of her work in this collection. Neither easily classified nor directly traceable to a particular school or lineage, she stands instead within her own continuously evolving context-one as free of convention and fashion as it is independent of thought outside the work itself...
read moreRoger Gilbert-Lecomte (1907-1943) is considered one of the eminent poets of the Surrealist period. The visionary, sardonic, and often outrageous poems in this bilingual edition represent the first presentation of his work in English...
read moreWhat can one person know of another? These poems act as energy fields of images from science, philosophy, and romantic love. They evoke the spaces of the New Mexican desert, the Alaskan tundra, her Chinese home, and the interior self in relationships, as the poet makes empathy a metaphor for the space of one person inside another...
read moreStreet Mete's multimedia montage is a performative work in language/photo art. Truitt creates a poetics of transcribed voice recordings and on-the-spot photos made in the streets and subways of New York between 1996 and 2004...
read moreCall and response. The breathing body of poetry from the beginning. The psalms of David, the wave of them, rise and fall of plainchant, verse and response. The constantly shifting pause between the half-lines of Old English poetry and the poems of the Edda, the half-lines of the Kalevala swayed out four-handed on the saga bench...
read moreLaurie Patton's Poems in Biblical Time give contemplative voice to the reading cycle of the Jewish year. Replete with ancient imagery coming alive in the language of the present, each poem weaves scripture into everyday life while refocusing a single Biblical moment. In her vision here, angels are also messengers sent to earth with a single piece of work to accomplish...
read moreThe jazz term riff is short for riffle-make rough. In Untam'd Wing: Riffs on Romantic Poetry, scholar/poet Jeffrey Robinson sets out much like a jazz musician to renew a great body of work (say, Miles Davis on George Gershwin)-to recast, as he says in the Prefatory Note, what have become monuments, with all the inertness of passive appreciation that monumentality encourages, into living forms...
read moreIt is a major event indeed to have this defining selection of Frank Samperi's immaculate work at last available for new readers. This consummate poet is so quiet in his authority, so singularly perceptive of the life he lived each day by given day. Whoever cared more than he did-or could find as absolute a way of saying so? If life matters, here are the poems which tell why,-Robert...
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