The Smoke
It’s 1947 in the austerity-ridden, black-market-riddled underworld of post-war Britain. And Jethro, a renowned Cockney cat burglar and jewel thief, sets up a caper to burgle the embassy of a certain unnamed Iron Curtain country. His prize, two fabulous suites of jewelry reputed to have once been the property of Russian aristocracy.
The thing is, since the end of the War – with him having served in the Merchant Navy and having had a couple of convoy ships sunk from beneath him – Jethro has told everyone that he’s lost his nerve and has gone straight. And he takes-up as an itinerant stagehand around London’s many theatres and music halls. But the truth is hiding in plain sight in and around London’s West End is the perfect cover for him to set up his diamond capers in the wealthy areas of Mayfair, Belgravia and Knightsbridge. Jethro is a born mimic and a ’master of disguise’ who will adopt whatever accent or character he needs to pass ‘unseen’ in a society that’s obsessed with class. (He’s able to go up and down the social ladder with as much dexterity as he does the outside of a house.) And if he doesn’t have the necessary gear at his own secret lock-up, he’ll complete his disguise by raiding a theatre’s prop and wardrobe cupboards, and steal the words and mannerisms from the actors he’s seen on stage or at the pictures. (John Gielgud, Laurence Olivier, Noel Coward, James Mason are all grist for the mill.) None of London’s top villains – Jack Spot and Billy Hill – believe Jethro has gone straight, and neither does Darby Messima, Soho’s fearsome crime-lord. And at one time or another everyone wants him to do just one more little creeping job for them. But when Jethro turns down Messima’s right-hand man, who wants Jethro to secretly ‘moonlight’ for him, things turn very nasty indeed and Jethro is only saved from being ‘chived’ and crippled for life by the chance intervention of a stranger, Seth. All of which foreshadows a series of deadly and tragic incidents on the streets of London.
To add to his troubles, the Embassy caper also brings Jethro to the attention of Colonel Walsingham of MI5. Walsingham blackmails Jethro into committing burglary in Defence of the Realm.” Jethro’s mission, to burgle the very same Embassy, only this time to retrieve an all-important code book and to lift “a real jewel”, a female Soviet cypher-clerk that desperately wants to defect. All hell breaks lose when Jethro burgles the Embassy for a second time and one of the Soviet’s most formidable secret agents swears to track him down and kill him to revenge the deed. It’s the perfect set up for ‘a thief to catch a thief,’ that leads to a deadly game of cat and mouse. The question is, who will get to Jethro first: His Majesty’s Secret Service, London’s most fearsome gangsters, or the Soviets’ own master thief and assassin?
Tony Broadbent of Mill Valley, CA
Tony Broadbent was born in Windsor, England. He was an art student in London in the late Sixties (from Revolver to Let It Be). He then worked as copywriter and creative director at some of the best advertising agencies in London, New York, and San Francis
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